TRAN QUANG HAI’s WORKSHOP OF OVERTONES at CASTELLO D’ALBERTIS, GENOVA (festival musicale der Mediterraneo) 08.09.2021

YANA, GIANNI,FABIO, ELISA, GIULIA, TRAN, ELENA, NICOLETTA, STEFANO

TRAN QUANG HAI &ELISA
GIULIA & TRAN QUANG HAI
TRAN QUANG HAI & STEFANO
FABIO &TRAN QUANG HAI
YANA, GIANNI, FABIO, ALISA, GIULIA, TRAN, ELENA, NICOLETTA, STEFANO
YANA, TRAN QUANG HAI
TRAN QUANG HAI , ELENA
NICOLETTA , TRAN QUANG HAI

Delle spettacolo dedicato alle voci estreme Tran Quang Hai /Sainkho Namtchylak, festivale musicale del mediterraneo, 07.09.2021

Delle spettacolo dedicato alle voci estreme Tran Quang Hai /Sainkho Namtchylak, festivale musicale del mediterraneo, 07.09.2021

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Guardate con noi la diretta dello spettacolo dedicato alle voci estreme Tran Quang Hai | Sainkho Namtchylak

https://muse.jhu.edu/journal/281″>Volume 52, Number 2, Summer/Fall 2021 Transregional Politics of Throat-Singing as Cultural Heritage in Inner and Central Asia, a special issue

issue cover imageAdditional Information

  • Volume 52, Number 2, Summer/Fall 2021
  • Transregional Politics of Throat-Singing as Cultural Heritage in Inner and Central Asia, a special issue
  • Charlotte D’Evelyn, Guest Editor
    Robert O. Beahrs, Andrew Colwell, Associate Guest Editors
    Johanni Curtet, Assistant Guest Editor
  • Issue
  • restricted access

Asian Music, the journal of the Society for Asian Music, is the leading journal devoted to ethnomusicology in Asian music, publishing all aspects of the performing arts of Asia and their cultural context.

University of Texas Press

published by

University of Texas Press

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Volume 52, Number 2, Summer/Fall 2021

Table of Contents

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  1. From the Editor
  2. Ricardo D. Trimillos
  3. pp. 1-2
  4. DOI: 10.1353/amu.2021.0009
  5. restricted access
  1. From the Guest Editors
  2. Charlotte D’Evelyn, Robert O. Beahrs, Andrew Colwell
  3. pp. 3-8
  4. DOI: 10.1353/amu.2021.0010
  5. restricted access
  1. Map A. Research Focus Areas of Inner and Central Asia
  2. p. 9
  3. DOI: 10.1353/amu.2021.0011
  4. restricted access
  1. Map B. The Greater Altai-Sayan Mountain Region
  2. p. 10
  3. DOI: 10.1353/amu.2021.0012
  4. restricted access
  1. Cradle of Drone-Overtone and Timbre-Centered Music: Cultural Landscapes of the Indigenous Peoples of the Altai Mountain Range and Its Neighboring Areas
  2. Carole Pegg
  3. pp. 11-45
  4. DOI: 10.1353/amu.2021.0013
  5. restricted access
  1. Propriety, Property, and Heritage in the Performance of Mongol Khöömii
  2. Andrew Colwell
  3. pp. 46-71
  4. DOI: 10.1353/amu.2021.0014
  5. restricted access
  1. Gifts of the Sygytchy-Sons: Tethering Melodies to Land, Kin, and Life Energy at the Khöömei Ovaa, Tyva Republic
  2. Robert O. Beahrs
  3. pp. 72-107
  4. DOI: 10.1353/amu.2021.0015
  5. restricted access
  1. Khöömii, World Lists, and the Question of Representation
  2. Johanni Curtet
  3. pp. 108-138
  4. DOI: 10.1353/amu.2021.0016
  5. restricted access
  1. Khöömii, Chooryn Duu, and Dissonant Heritage in Inner Mongolia, China
  2. Charlotte D’Evelyn
  3. pp. 139-169
  4. DOI: 10.1353/amu.2021.0017
  5. restricted access
  1. (Re)Claiming a Vocal Vernacular: Revival and Modernization of Kömei in Contemporary Kazakh Music
  2. Saida Daukeyeva
  3. pp. 170-202
  4. DOI: 10.1353/amu.2021.0018
  5. restricted access
  1. Khöömei and Heritage: An Afterword
  2. Theodore Levin
  3. pp. 203-208
  4. DOI: 10.1353/amu.2021.0019
  5. restricted access
  1. Khöömei—Ambassador to the World: An Afterword
  2. Valentina Süzükei, Sean Quirk
  3. pp. 209-216
  4. DOI: 10.1353/amu.2021.0020
  5. restricted access
  1. About the Contributors
  2. pp. 217-219
  3. DOI: 10.1353/amu.2021.0021
  4. restricted access

https://muse.jhu.edu/issue/45261

JOHANNI CURTET / FORMATION DU CHANT DIPHONIQUE : INSCRIPTIONS CURSUS 2021-2022 • [BEM-CEM-DEM]

INSCRIPTIONS CURSUS 2021-2022 • [BEM-CEM-DEM] Des Balkans à la Chine, de l’Inde à l’Argentine en passant par la Méditerranée… Et si les plus grands vous enseignaient ce qu’ils ont appris de leurs maîtres ?Intégrez l’une de nos formations et préparez votre diplôme en musiques, chants et danses du Monde !INSCRIPTIONS & INFORMATIONS (English Friendly) :inscriptions@iimm.fr / +33 (0)4 42 04 37 73 / www.iimm.fr// PLACES LIMITÉES //

SAINKHO NAMTCHYLAK: presented by COFESTIVAL 2020-Ljubljana

SAINKHO NAMTCHYLAK: presented by COFESTIVAL 2020-Ljubljana

2,456 viewsPremiered Nov 30, 20201290ShareSaveSainkho Namtchylak 544 subscribers SAINKHO NAMTCHYLAK: presented by COFESTIVAL 2020-Ljubljana 25 November, 2020 Stream begins at 9:00 PM CET Streaming from Slovenia All music by Sainkho Namtchylak Special thanx to the organizers of Co-Festival 2020 Mitja Bravhar, Andreja Bolcina and all technical team on stage for their pasion and kind attention!

Music in this video

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Song

The Echo of Old Fairytales

Artist

Sainkho Namtchylak

Album

亙古回響

Licensed to YouTube by

Rock Mobile Corporation (on behalf of 北京戰馬時代文化傳播有限公司); Rock Mobile Corporation

Song

Lonely Soul (2005 Live in Cologne, Germany)

Artist

Sainkho Namtchylak

Album

Live Sample 60

Licensed to YouTube by

Believe Music (on behalf of Starsing)

IMRE PEEMOT sings with the creation of the 3rd subharmonic (AUGUST 2021)

Imre Peemot

AugrutSiimcponssgerihgsdstrs 24 ato 1irl:eS28dd fAoM  · Finally the 3rd subharmonic happened to me. End half of the video I switched it to 1th subharmonic, known as the traditional kargyraa, which is one octave lower than my basic singing voice. So 3rd subharmonic is two octaves lower than my voice

У ИСТОКОВ ГОРЛОВОГО ПЕНИЯ ТУВИНЦЕВ / AUX ORIGINES DE CHANT DE GORGE DE TUVAINS

У ИСТОКОВ ГОРЛОВОГО ПЕНИЯ ТУВИНЦЕВ /

AUX ORIGINES DU CHANT DE GORGE DE TUVINS / AUX ORIGINES DU CHANT DE GORGE DE TUVAINS

IntAcademy Khöömei

4h  · At the origins of throat singing. Video tour of Tuva.The film is based on the materials of the monograph of Z.K. Kyrgyz ′′ Tuvan throat singing “. A fragment of shamanic mystery and amazing beauty of Tuvan nature, traditional rites, rites, national wrestling, during which various types and techniques of throat singing were performed recently. There are materials from the Russian-Japanese endoscopic study of chomeyha, examples of melodic types accumulated by musical art over centuries. As well as explanations of Tuvan masters of throat singing using sound extraction technique.The film used music and solo numbers of Tuvan chomeji and ensembles: Hunastaar-ool Oorzhak, Mikhail Dopchun, Gennady Tumat, Mongun-ool Ondar, German Kuular, Sevek Aldin-ool, Valery Mongush, Fedor Tau, Ayas-ool Danzyryn, Choduraa Tumat, Shonchalai Choodu, ensemble ′′ Tyva “, folk group ′′ Hun-Huur-Tuu “.#Tyva#Тува#Тыва#культуратувы#АкадемияХоомей#AcademyKhoomei#академия#khoomei#хоомей#хөөмей#хөөмейжи#хоомейжи#НочьКино#кино#Ночькино2021#акцияНочькино

Getting Started with Overtone Singing by STUART HINDS

Getting Started with Overtone Singing by STUART HINDS

16 viewsAug 21, 202150ShareSaveTheStuartHinds 90 subscribers Stuart Hinds demonstrates a very easy way to bring out the overtones in your voice.

0:00 – Introduction

3:15 – Exercise 1

4:11 – Exercise 2

6:24 – Exercise 3

S.Y. Saryglar’s book ′′ Tuvan solo double-voice: medical and social aspects of preservation, prevention of violation of voice and ability to perform solo bi-voice “

With the support of the Ministry of Culture of the Republic of Tyva, 50 copies of S.Y. Saryglar’s book ′′ Tuvan solo double-voice: medical and social aspects of preservation, prevention of violation of voice and ability to perform solo bi-voice “. Note that literature on medical and social Aspects of Tuvan chomei are rarely published, and every copy of such editions will certainly be in demand in the educational process by teachers and students.S.Y. Saryglar is a pulmonologist of the highest qualification category, therapist, professional professional with experience-44 years. Since 2001, on behalf of the Ministry of Health and the Ministry of Culture has been conducting work on the dispensary of ch өөmeji artists in the framework of research: ′′ The influence of vocal technique of execution of Tuvan solo two-voice on the body of artists – performers ′′ to solve the issue of preferential pension provision of artists – artists Tuvan solo two-voice – the phenomenon of using the human body to extract musical sounds.For book purchase, please call: 89232671155

#АкадемияХоомей#культуратувы#хөөмей#хөөмейжи#khoomei  ·   ·