TRAN QUANG HAI has created this website on the World of Overtone Singing coverning traditional overtone singing by Tuvin, Mongolian and Siberian singers , with the selection of new types of overtone singing performed by Western singers around the World .
Analysis and modelling of overtone singing in the sygyt style
Saturation mechanism in clarinet-like instruments, the effect of the localised non-linear lossesApplied Acoustics, Volume 65, Issue 12, December 2004, pp. 1133-1154
Some aspects of the harmonic balance method applied to the clarinetApplied Acoustics, Volume 65, Issue 12, December 2004, pp. 1155-1180
Some insight into the acoustics of the didjeriduApplied Acoustics, Volume 65, Issue 12, December 2004, pp. 1181-1196
The Chöömij of Mongolia A Spectral Analysis of Overtone Singing.
- Abstract: This report is a preliminary study of the Mongolian style of singing known as chöömij. It begins by assembling the physical vocabulary of this singing style, and compares its mechanism with that of the Jew’s harp. It proceeds to a consideration of the ictus in isolation in order to show a progression toward a “normal” sustained chöömij sound. The normal chöömij is described in terms of its formants and their relation to possible physiological counterparts. Finally, it is inferred that, if correctly interpreted, the melographic data might be successfully linked with concepts and data from other disciplines, thereby significantly widening the implications these may have in explaining musical phenomena.
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