MARK VAN TONGEREN : BIOGRAPHY

Biography

MarkVanTongerenByJochemHartzBig

photo by Jochem Hartz

Mark van Tongeren is a sound explorer and performance artist with a PhD in artistic research from Leiden University. He did ground-breaking research and vocal experiments in the field of overtone singing, which he began studying around 1990. He feels equally at home ‘in the field’ to study and practice indigenous vocal techniques, as in experimental performance art, using voice, small instruments and/or electronics.

He received his M.A. in ethnomusicology from the University of Amsterdam and has taught world music at the Royal Conservatory in The Hague. His PhD from the Academy of Creative and Performing Arts at Leiden University explores the boundaries of science and art and is entitled Thresholds of the Audible: about the Polyphony of the Body. During his PhD studies he founded a vocal laboratory (Paraphony) to develop little known aspects of multi-voiced harmonic singing. He created a series of compositions for two or more voices, called 0… (‘Nulpunten’ or ‘Zero-points’), which make audible hundreds of possible connections or permutations within the natural harmonic series, so that it ‘encounters itself.’ The results were presented in 2010 and 2013 by Mark van Tongeren and Rollin Rachelle, aka the Superstringtrio, in the performances entitled 0… and Incognito Ergo Sum in Amsterdam and Poland. Composer Paul Oomen also conducted the three-hour Overtone Singing Marathon held at the occasion of van Tongeren’s PhD defense in 2013.

Incognito Ergo Sum with Rollin Rachele

He began his performance carreer with the artists – contructors of Silo Theatre of Amsterdam (De Parade, Oerol), where he did sound-design, and created live and recorded soundtracks (1992 until 1998). In 1999 he presented new vocal works in The Trumpets of Jericho, alongside the Trivento organ of the project’s initiator Horst Rickels, and singing ‘with’ and ‘through’ Tjeerd Oostendorp’s 7-meter long tuba. In 2001 he was artist-in residence at the School of Music of Victoria University in Wellington, New Zealand for Jack Body’s Secret Sounds project, producing the CD-Rom Secret Sounds and several performances. with Phil Dadson (NZ), Leo Tadagawa (JP) and Bennicio Sokong (PH). At the Silk Road Festival in Washington, D.C. he performed as a throat singer with the festival’s initiator – cellist Yo-Yo Ma – over one of Johann Sebastian Bach’s cello suites (2002).

throat singing with cellist Yo-Yo Ma at the Smithsonian Folklife/Silk Road Festival

From 1995 onward van Tongeren has made solo appearances as a singer in the Netherlands, Russia, Spain, Finland, Germany, New Zealand, Belgium, China, the USA and most recently in Taiwan (Taipei, Chiayi). In 1995 he received a special prize at the International Throat Singing Festival in Tuva, Siberia (the same festival documented for the famous Gengghis Blues documentary).

He is featured on CD-ROM’s and DVDs, including Secret Sounds (an audio-visual guide to overtone singing and Jew’s harps with Jack Body; Ode Records); Raum Klang Stimme / Space Sound Voice (documentary about overtone singing by Minghao Xu; Traumzeit Verlag). His CDs include Paraphony-Extended Harmonic Techniques, a solo exploration of the resonances of the voice and space (Ode Records), Etos (with Oorbeek, Nice Noise Foundation) and Sphere by his ensemble Parafonia (Fusica). Horst Rickels’ piece Lift-Off, written for Parafonia, is also featured in Jiska Rickels’ award winning documentary Four Elements. Van Tongeren is featured prominently on Deer Woman, composed by Taiwanese film music composer Cincin Lee with Van Tongeren as a soloist. This CD was nominated for Taiwan’s Golden Melody Awards 2008.

An unusual collaboration was his involvement in the realisation of the world première of a work by the renowned Russian composer Dimitri Shoshtakovich (1906-1975), 28 years after his death. He assisted conductor Mark Fitz-Gerald at restoring the lost score of the film Odna (“Alone”), by directors Kozintsev and Trauberg (1931). Van Tongeren transcribed an original piece of Altay throat singing that was used for the film and took part in several screenings of Odna with live music, including the 2003 world première in The Netherlands. In 2008 Naxos published Fitz-Gerald’s CD recording in Germany with van Tongeren’s singing.

In 2002 Fusica published the book Overtone Singing – Physics and Metaphysics of Harmonics in East and West (Fusica/Eburon), the fruit of over 10 years of scholarly and artistic research on this vocal technique. It is the first book-CD to document comprehensively the traditional and modern forms of this unusual vocal art. It exemplifies Van Tongeren’s interest to fuse intuitive and creative processes of singing and art with theoretical issues and critical reflection.

mark_van_tongeren_overtone_singing_cover

Van Tongeren began extending his array of small, toy and ethnic instruments, as well as a Korg Kaoss Pad, while playing with Oorbeek, an Amsterdam-based collective of artists exploring the boundaries of sound and visual art. Oorbeek is one of his most enduring collaborations. Though very un-typical for Oorbeek, their televised adaptation of John Cage’s 4’33” was selected in 2017 as one of the pearls of 70 years Holland Festival.

He played with Collision Palace, an Amsterdam-based improv collective led by Nathan Fuhr (NYC), in John Zorn’s game piece Cobra. In New Zealand he collaborated with former Scratch Orchestra member Phil Dadson and Japanese singer/performer/bandleader Makigami Koichi in Off the Wall: Vocal Acrobats.

He provided electronic/vocal soundtracks for several animation video’s by Oorbeek’s Serge Onnen, displayed in New York and in MOCA Taipei, and took part in several of Onnen’s live shadowperformances with Oorbeek or as a duo on in Beijing.

In Taipei Onnen and van Tongeren presented new works for video/shadow/sound at the Taipei Artist Village (together with composer/guzheng player Tung Chao-Ming) and Lacking Sound Festival. Also in 2014, he began collaborating with the dancers of Biao/Horse, in a project produced for the Chang Kai Shek National Theatre in Taipei collaborating with pianist Lee Shih-Yang and cellist Chen Yu-Rong. More dance collaborations followed, with Biao’s Yeh Ming-Hwa (2015, 2016, 2017) and with Taipei Dance Circle.

As a teacher, Van Tongeren gave a one-minute crash course of overtone singing for His Royal Highness the Aga Khan and secretary of state Colin Powell at the opening ceremony of the Silk Road / Smithsonian Folklife Festival in Washington, D.C. (2002). (usually learning to sing overtones takes longer, though). He has taught overtone singing workshops and courses for exploring/integrating the dynamics of voice, mind and body at various universities (Victoria School of Music, Wellington NZ; TNUA, Taipei TW) and privately. He teaches semester-long courses at National Cheng-Chi University’s creative department (X-Academy) in Taipei. Since 2012 he offers weekly Voice Yoga classes at Canjune and since 2014 a year-long Resonance course in Taipei.

An enduring passion and artistic influence are local musical traditions from around the world. Since the 1990s Van Tongeren has studied music, singing and ritual in Siberia and Russia (Tuva, Altay, Khakassiya, Kalmukiya), Mongolia, India (Tibetan monks in Dharamsala), Sardinia and Corsica (polyphonic singing) and Taiwan. His move to Taiwan prompted a further study of its indigenous music and dance, particularly through the traditions of the Bunun and Saisiyat tribes. In Israel, Dutch composer Merlijn Twaalfhoven organised yearly events to empower Palestinian artist in East-Jeruzalem. In 2010, Twaalfhoven invited composer Paul Oomen, who guided a unique meeting between Firaz Gazzaz, a well-known Palestinian muezzin (reciter of the koran), and van Tongeren.

Since 2010 Van Tongeren lives in Taiwan with his wife June and his children Attar and Illy.

download biographie artistique-MvT.pdf

https://www.fusica.nl/biography/

UMBRIA IN VOCE : Laboratorio con TRAN QUANG HAI “OVERTONE SINGING e CANTO DIFONICO”, 9 NOVEMBRE 2019, UMBRIA, ITALIA

Laboratorio con TRAN QUANG HAI, 9 novembre 2019

“Overtone singing e canto difonico” un’esperienza formativa eccezionale con un grande maestro del canto armonico mondiale

posti limitai iscrizione obbligatria

info e prenotazioni : 3349843087 / 3394076156

Workshop with TRAN QUANG HAI, 9 November 2019  
"Overtone singing and singing sonic" an exceptional educational experience with a great master of world harmonic singing  
limited places mandatory registration 
info and prenotations: 3349843087/3394076156 

 Saturday 9 november 2019 13h30-18h30

🔹 𝗦𝗮𝗯𝗮𝘁𝗼 𝟵 𝗻𝗼𝘃𝗲𝗺𝗯𝗿𝗲 𝟮𝟬𝟭𝟵 𝗱𝗮𝗹𝗹𝗲 𝗼𝗿𝗲 𝟭𝟯:𝟯𝟬 𝗮𝗹𝗹𝗲 𝟭𝟴:𝟯𝟬 🔹
Un eccezionale #workshop di cinque ore per approfondire il ᴄᴀɴᴛᴏ ᴀʀᴍᴏɴɪᴄᴏ con un maestro indiscusso a livello mondiale: Tʀᴀɴ Qᴜᴀɴɢ Hᴀɪ, vietnamita residente a Parigi, musicista di talento e rinomato proveniente da una famiglia di cinque generazioni di musicisti.

Durante il seminario, Tran Quang Hai insegnerà le 2 tecniche di base del canto armonico:
✔️Tecnica della cavità a una bocca con serie inferiori di sovratoni.
✔️Tecnica di due cavità della bocca con serie superiori di sovratoni.
✔️ E a seguire, esercizi per l’improvvisazione e la creazione collettiva, per il controllo di ogni tono, per il miglioramento delle sfumature imparando a ridurre il suono fondamentale e per imparare come ascoltare le proprie sfumature per creare piccole melodie.

❗️Iscrizione obbligatoria: 3349843087 – 3394076156
o scrivere a umbriainvoce@gmail.com

Saturday 𝟵 𝗻𝗼𝘃𝗲𝗺𝗯er 𝟮𝟬𝟭𝟵 from 𝟭𝟯: 𝟯𝟬 to 𝟭𝟴: 𝟯𝟬 🔹

An outstanding five-hour #workshop to deepen into OVERTONE SINGING or THROAT SINGING with an undisputed world-class master: Tʀᴀɴ Qᴜᴀɴɢ Hᴀɪ, a Vietnamese resident of Paris, a talented and renowned musician from a family of five generations of musicians. During the seminar, Tran Quang Hai will teach the 2 basic techniques of harmonic singing: ✔️ One-mouth cavity technique with lower series of overtones. “Technique of two cavities of the mouth with superior series of overtones. ✔️ And then, exercises for improvisation and collective creation, for the control of each tone, for the improvement of nuances, learning to reduce the fundamental sound and to learn how to listen to one’s own nuances to create small melodies. Obbligatoria Mandatory registration: 3349843087 – 3394076156 or write to umbriainvoce@gmail.com

Gennadi Tumat ‎– Alys Churtum Övür Charyy – My Homeland Övür – Full Album

Gennadi Tumat ‎– Alys Churtum Övür Charyy – My Homeland Övür – Full Album

Semih İpek 4,16 k abonnés Instagram: https://www.instagram.com/semih.ipek/ Facebook: https://www.facebook.com/semih.ipek.547 Twitter: https://twitter.com/semih0209 Netherlands, PAN Records ‎– PAN 2090 (1 October 2000) 1 Initially 2 Bodalymnyng Kozhangnary 3 Khööküi Noyan 4 Ulug-khemim, Sayan, Tangdym 5 Alys Churtum Övür Charyy 6 Turdai Mangnap Orar Words By – M. Dorzhu 7 Kozhannar 8 Sanchy Kyzyl-ooldung Khöömei Sygydy 9 Eki A’ttar Transcription By – Masahiko Todoriki 10 Kara Duruyaa 11 Eerbek Aksy 12 Lanchyy Boomnu 13 Sygyt, Khöömei, Kargyraa 14 Khomustar 15 Sygyt 16 Sygyt, Kargyraa Music By [Melody] – V. Kök-ool Transcription By – Dina Oiun Words By – L. Chambe 17 Kargyraa Composed By – Kh. Oorzhak 18 Ezengileer 19 Khöömei, Sygyt, Kargyraa 20 Bodalymnyng Düvüreli 21 Hidden Track: Borbangnadyr Design – Rein Spoorman Liner Notes, Compiled By, Executive-Producer – Bernard Kleikamp Mastered By [Digital] – Joop Wesselius Overtone Voice, Doshpuluur, Chanzy – Gennadi Tumat Performer – Anatoliy Kuular (tracks: 4), Boris Mongush (tracks: 15), Leonid Oorzhak (tracks: 1, 3, 7, 14), Nadejda Kuular (tracks: 9, 11), Omak Tumat (tracks: 9, 10, 11, 12), Orlan Chüdekpen (tracks: 1, 3, 7, 14), Sergey Ondar (tracks: 4, 9, 10, 11, 12), Stas Danmaa (tracks: 4, 9, 10, 11, 12), Vladimir Soyan (tracks: 1, 3, 7, 14) Photography By – Bernard Kleikamp, Hajo Hohl Technician [Production Help] – J. Eric Slone, Mark van Tongeren, Rada Chakar, Ralph Leighton Transcription By – Chinchi Kungaa-Quiroz (tracks: 2, 5, 6, 20), Chodura Khandy (tracks: 2, 5, 6, 20), J. Eric Slone (tracks: 2, 5, 6, 20), Masahiko Todoriki (tracks: 2, 5, 6, 20), Otkun Dostai* (tracks: 2, 5, 6, 20) Notes Recorded—1986 (Moscow), 1991 (The Hague), 1992 (Amsterdam, Montréal), 1994 (Toronto, Amsterdam, Rudolstadt), 1995 (Nijmegen, The Hague)

Alash – “For My Son”

Alash – “For My Son”

WYCC PBS Chicago 5,99 k abonnés Masters of traditional Tuvan instruments as well as the art of throat singing, Alash is deeply committed to traditional Tuvan music and culture. Alash “can transport you to another dimension, lift you to new levels of consciousness, or otherwise blow your mind…” -V.O.I.C.E.S. , 11 june 2013