TRAN QUANG HAI & DENIS GUILLOU: Original Research and Acoustical Analysis in connection with the Xöömij Style of Biphonic Singing, FRANCE

TRAN QUANG HAI & DENIS GUILLOU: Original Research and Acoustical Analysis in connection with the Xöömij Style of Biphonic Singing, FRANCE

Original Research and Acoustical Analysis in connection with the Xöömij Style of Biphonic Singing

tran quang hai

Trân Quang Hai

DENIS GUILLOU NHO

Denis Guillou (2019)

Tran Quang Hai , Centre National de la Recherche Scientitique, Paris 1980

Denis GUILLOU, Conservatoire. National des Arts et Métiers, Paris

 

The present article is limited in its scope to our own original research and to acoustical analysis of biphonic singing, this is preceded by a summary of the various terms proposed by different researchers. The first half the article concerning xöömij technique was written by Tran Quang Hai. Guillou has written the second half concerning acoustical analysis.

 

Until the present time it has not been possible to confirm that the centre, of biphonic singing within Turco‑Mongol culture is in fact Mongolia. Biphonic singing is also employed by neighbouring peoples such as the Tuvins (Touvins), Oirats, Khakass, Gorno‑Altais and Baschkirs; it is called kai by the Altais, uzliau by the Baschkirs, and the Tuvins possess four different styles called, sygyt, borbannadyr, ezengileer and kargyraa. A considerable amount of research is at present being carried out throughout the world into this vocal phenomenon, particularly as it is practised in Mongolia.

 

Research can be carried out in various ways: by means of observation of native performers after one or more visits to the country concerned, or by means of practical instrumental or vocal studies aimed at a better understanding of the musical structure employed by the population being studied. My own research does not belong to either of these two categories since I have never been to Mongolia and I have never learned the xöömij style of biphonic singing from a Mongolian teacher. What 1 shall describe in this article is the result of my own experience which will enable anybody to produce two simultaneous sounds similar to Mongolian biphonic singing.

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