polyphonic overtone singing – PARODY

polyphonic overtone singing – PARODY

Published on Oct 31, 2014

by Adrien Pellerin with Milo MacPhail based on Anna-Maria Hefele’s video: http://youtu.be/vC9Qh709gas overtone singing is a voice technique where it seems like one person sings two notes at the same time by letting a demon inhabit his or her voice to produce the second note. You can sing the overtone scale on one fundamental. Another fundamental has its own overtone scale, so in order to have more overtones to sing nice melodies, you can use different fundamentals and change them while singing. your demon can help you do this. the video is live, and every human being or non-human being is able learn overtone singing 😉 ….well…not starting directly with polyphonic overtone singing…. but singing overtones on one fundamental isn’t too hard.


2…DREI…4 / anna maria hefele

2…DREI…4 / anna maria hefele

Published on Jan 20, 2018

Die “DREI”. Transdisziplinäre Performance mit Musik, Tanz und Tuschegrafik in Live-Projektion. ⇊⇊⇊ more info: ⇊⇊⇊ Jan Lau – Tanz Thomas Radlwimmer – Shakuhachi, Tabla, live-Grafik http://www.radlwimmer.at Anna-Maria Hefele – Gesang, Instrumente http://www.anna-maria-hefele.com contact: booking@anna-maria-hefele.com “THREE”. Transdiciplinary performance with music, dance and live-projected ink-drawing.

Printemps diphonique 2019 / Film VOYAGE EN DIPHONIE

Nous vous attendons avec grand plaisir au cours des prochaines projections :

 ♫♫☆✩ Printemps diphonique 2019



En compétition

Prochaines dates  





– 14 au 17 mars : Les Rendez-vous de l’Aventure, Lons-le-Saulnier (39)

– 28 au 31 mars : Festival Curieux Voyageurs, St-Etienne (42)

-13 avril : Festival Peuples nomades, Le Chenal, Porspoder (29)

– 30 juin : Festival Anako (86)



Avant-premières 2018 ♫♫☆✩

Paris (La Scam, salle Brabant le 2 mai)

 Gerzat (Les Musicales de Gerzat,11 mai)

L’Haÿ-les-Roses (Festival Parfums de musiques, 17 mai)

Saint-Malo (Etonnants Voyageurs, le 19 mai)

Scam, Paris
2 mai, 19h15
Projection, débat et pot
Réservation obligatoire : horschamps.contrechamps@gmail.com
(attention, il n’y a plus que 10 places dispo)



11 mai, Les Musicales de Gerzat

Theatre Cornillon , 18H30



17 mai  – 20 heures
Projection et débat
Cinéma La tournelle
Festival Parfums de musiques







19 mai
Projection et débat
Festival Étonnants Voyageurs, St. Malo
14h au cinéma le Vauban 2 – La Grande Passerelle suivi d’une rencontre

avec Johanni Curtet, Nomindari Shagdarsuren
et Jean-François Castell de 15h15 à 15h45.

Sur le site : www.etonnants-voyageurs.com


Bon Voyage en Diphonie


71min Overtone Vocal Trance – The Harmonic God

71min Overtone Vocal Trance – The Harmonic God

Published on Jan 6, 2015

NEU: nur jetzt zum Einführungspreis: Drei-Stunden-Online-Videokurs “Die Magie des Obertongesangs – eine praktische Einführung ins vokale Obertonsingen” ausführliche Infos unter https://www.stimmlabor.de/obertongesa… more overtone music in best quality on the singers website https://www.stimmlabor.de/miroslav-gr… All vocals in this soundtrack are sung by overtone singer Miroslav Grosser, Berlin, Germany http://www.stimmlabor.de/ next workshops for overtone singing: http://www.stimmlabor.de/obertongesan… Detailed information about every single part of “The Harmonic God”: *1* 00:00 to 05:10 min: Acappella overtone singing with sound effects (delay and reverb, no multitrack) *2* 05:10 to 16:27 min: Acappella overtone singing with sound effects (octaver and reverb, no multitrack) *3* 16:27 to 51:00 min: The electronic soundscapes in this part are created by Vigor Calma http://www.vigorcalma.com, but played here in slowmotion, the original track is available on the trance album “Liquefaction” by Empty Mint *4* 51:00 to 55:31 min: The composer of this part with samples and derivates of my harmonic singing is Simon Stockhausen http://www.simonstockhausen.com *5* 55:31 to 64:45 min: Acappella solo singing, taken from the album “Sunrise in my Mouth”, first published in 1999 *6* 64:45 to 68:13 min: Acappella solo singing of the Mantra AOUM with overtones in a big former water reservoir, no sound effects added *7* 68:13 to 71:41 min: Silence as one of the most important parts of music, especially AFTER listening Have a wonderful empowering journey in this life all the time – within and without. With harmonic regards Miroslav Grosser more overtone music: https://www.stimmlabor.de/musik-player/ CD´s and mp3 with overtone singing: https://www.stimmlabor.de/obertongesa… Facebook: https://www.facebook.com/stimmlabor/ Soundcloud: https://soundcloud.com/miroslav-grosser XING: https://www.xing.com/profile/Miroslav… LinkedIn: https://www.linkedin.com/in/miroslav-…

Overtone Singing in Concert – Miroslav Grosser (Berlin)

Overtone Singing in Concert – Miroslav Grosser (Berlin)

Published on Dec 7, 2009

NEU: dreistündiger Online-Videokurs “Die Magie des Obertongesangs – eine praktische Einführung ins vokale Obertonsingen” Infos unter https://www.stimmlabor.de/obertongesa… Nächster Workshop für Obertongesang am 31.3.2019 in Berlin und am 14.4.2019 in Hamburg, alle Infos auf http://www.stimmlabor.de/obertongesan… Nächstes Konzert am 9.12.2018 in Berlin, siehe hier: http://magicofsound.net CD “Sounds of Light – Overtone Singing Solo” http://www.cdbaby.com/cd/MiroslavMirc… Obertongesang und Stimmbildung: http://www.stimmlabor.de (Einzelunterricht in Berlin und weltweit per Skype) CD´s und mp3 mit Obertongesang (inklusive Lern-CD): http://www.stimmlabor.de/obertongesan… Alles Gute für Sie und Ihre Stimme wünscht mit klangvollen Grüßen Miroslav Großer http://www.stimmlabor.de

History of Khoomei, CHINA

History of Khoomei


Zhangha of Dai Minority

Zhangha of Dai Minority
Zhanghai 章哈 is a well-known style of traditional folk singing of the Dai minority. It is…

Dragon Boat Songs

Dragon Boat Songs
Dragon Boat Songs 龙舟歌 are an art form that is popular in the Zhujiang River Delta in…

Liangzhou Xianxiao and Hezhou Xianxiao

Liangzhou Xianxiao and Hezhou Xianxiao
Liangzhou Xianxiao is an ancient folk art of storytelling that prevails in Liangzhou, Gansu…

According to the records, the history of Khoomei dates from Hun’s time. The art of Khoomei was created by the time Mongolian nation formed at the latest. The ancestors living in the Mongolian plateau imitated the sound from the nature piously when they were hunting and herding. They believed that it was an important way to communicate and get along harmoniously with the nature and the universe. Thus, some substantial of the human vocal organs was developed, allowing one person to create “harmony” when he was imitating the sound of waterfalls, mountains, forests and animals, which was the embryo of Khoomei. There is not abundant repertoire of Khoomei, limited by its specific singing techniques. The first basic category is the singing of the beauty of nature. The second one is the conveying and mimicking the lovely images of wild animals, such as Cuckoo which retains the music played during the hunting age. The third category is the praising of fine horses and grasslands.

The main musical style of Khoomei is short-tune songs; however, a few brief long-tune songs are available. Judging from the story about its origin and the subject matter of repertoire, the throat-singing is believed to be an outcome of the hunting culture of the Mongolians.

Khoomei – Sounds of Nature from the Grasslands

Khoomei - Sounds of Nature from the GrasslandsKhoomei (Overtone singing, also known as overtone chanting, or harmonic singing) is a magical art of singing created by Mongolians

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